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The collection includes the day-to-day records of the now defunct Albany/Schenectady League of Arts.

Comprised mainly of photographs documenting students, faculty, and campus events, as well as administrative papers relating to the organization's independence from the Student Association, the Albany Student Press Records offer a glimpse into the newspaper's activities from the late 1960s to 1990s.

Series 1 is comprised almost entirely of photographs taken by the University Photo Service, a separate student organization that has supplied much of the ASP 's photography over the years. However, some photographs may have been taken by ASP staff. Additionally, a small number of images originate from other sources, including the Associated Press, College Press Service, and Liberation News Service. A single illustration, noted in the container list below, is also included. While many of these images appeared in issues of the ASP , others may never have been published.

This collection documents the activities of the Albany Typographical Union, the first labor union founded in Albany, N.Y.

Printed copies of the Albany Typographical Union's constitutions and rules of order.

The collection includes materials related to the women's issues with a particular emphasis on the University at Albany, SUNY. Records of particular interest are those of Albany Women Against Rape, Capital District Women, and the Caucus on Women's Rights at SUNY. Also included are issues of the publication The Spokeswoman (1971-1981).

This collection consists of materials from Albert Blumenthal's service in the new York State Assembly.

Albert Jack Abrams was born in Stamford, Connecticut, on May 29, 1915. Abrams began his university studies at the University of Michigan in 1932, and he attended the National Institute for Public Affairs in Washington, D.C., in 1935. He received an A.B. from New York University in 1936, and he continued his studies at Columbia University (1940) and the Cornell School of Labor and Industrial Relations (1946). The records in this manuscript collection were originally arranged in a numerically classified subject file under the general subject of legislative administration.

Records from legal battles and restitution claims of Albert (Leser) Lestoque and his two siblings, for family properties in the Plittersdorf section of Bonn, Germany. Also contains manuscripts and published versions of Lestoque's writings, including the manuscripts from lecture engagements, and materials from organizations as Citizens for Victory, the International Committee for the Study of European Questions and the German American Writers' Association (GAWA).

The series consists of two main sections: family documents and records, and biographical materials and documents of Albert (Leser) Lestoque. The family documents consist primarily of documents pertaining to the family estate known as Auf'm Rech located in the Plittersdorf section of Bonn, Germany. The records consist of land purchase records of various pieces of property primarily in Bonn, as well as records of furniture and art purchases for the property in Plittersdorf. Additional records pertaining to the property, as well as documents and materials pertaining to other family members are found in the Paul Leser Papers.

The David Von Drehle Papers contain information on the death penalty, primarily in Florida. Von Drehle compiled the materials while researching his 1995 book Among the Lowest of the Dead: Inside Death Row.

Includes biographical information, photographs, correspondence, writings, and periodicals related to Alexander Gode von Aesch.

Writings personally authored by A. Gode von Aesch and other personal material.

The Alexander Semmler Papers contain music written by Alexander Semmler, both published and unpublished, as well as some of his notes and correspondence.

This series consists of works written by Alexander Semmler for symphony orchestra. The Symphony No. 3, dedicated to RIAS-Berlin, is the longest of these; the title on the full orchestral score is in English, and the parts and corrections are in German, with musical notations in Italian. The other works are all in English, with musical notations in Italian.