Sernau, Gunther, 1951

This, in brief, dear “wither, is whys

l. From a formal-aesthetic vierpoint, the handrriting
conjures up the rounded bdty of,latin Bibles not Auncials from
later than the 10th century A. D., and when looked at
upside down reminds of elaborately flourished and
yet chaste medieval manuscripts in Arabic.

2. Psychographologically, the totel impression is one of
what might be called the paradox of secretive showmanship.
the features exhibited in the grand style and with almost

unbelievable poise are intended, though not by conscious —
will, to hide frightful and thus inhibitive daydreamings __

and phantasies. |

Aestetic and psychological attraction combines to make the
green script well-nigh fascinating to me, :

your good uncle

July 275 1951 | ¥ ~ y \S

<tow> o<a © a ae ee.