This series consists of copies of art and professional vitae, newspaper clippings about Geof Huth and his work, school records, records relating to readings given by and art shows displaying Huth's visual art and visual poetry, and files relating to associations Huth has been active in (including archival associations).
This series consists of paper and electronic manuscripts of all the types of artistic works produced by Geof Huth (poetry, fiction, essays, aphorisms, visual poems, dramatic works, comics, digital poems, and others).
This series includes personal and dbqp correspondence and mailart, especially from the mid-1980s until the present.
This series documents the micropress dbqp and includes final copies of publications (usually two of each), business records for dbqp, and layouts for dbqp publications. Larger object dbqp publications are stored separately. The micropress dbqp publishes a number of different series and magazines, including Alabama Dogshoe Moustache (an irregular poetry journal); Buried Tongue (a gallery of verbo-visual art compiled with a different co-editor/publisher for each issue); Epistulational Exscrapts (a magazine publishing excerpts from personal letters); Foolscap (an occasional broadsheet of reviews and essays); Socks, Dregs and Rocking Chairs (an occasional comic book); The Subtle Journal of Raw Coinage (a once-monthly magazine printing undefined invented words from antiquity to the present); and A Voice Without Sides (a limited edition magazine of all types of art, published in wildly exotic manners). The press also publishes leaflets (in the series &, CHRON, and QCXK), postcards (dbqprescards), chapbooks (goodbooqpres), and semiotic objects (Objecta).
This series documents pdqb, a personal micropress that publishes documentation of Geof Huth's family (such as the family's annual holiday cards) and short runs of visual and conceptual poetry by Geof Huth. The press also publishes some work by other artists in Film Clips, a mailart magazine. The name "pdqb" can stand for "pretty damn quick books", although that is not its official name. The series includes final copies of pdqb publications (usually two of each), administrative records for pdqb, and layouts for pdqb publications. Unlike dbqp publications, pdqb publications are rarely sold and meant to be given away for free. The original issues of eXmaSscard (the family's series of holiday cards) were originally released as issues of dbqp but have since 1989 been released under the pdqb imprint.
The micropress qbdp releases only tiny runs of mailart. The series includes single copies of the mailart produced by Geof Huth in the qbdp series and occasional copies of layouts for same. The micropress qbdp was officially initiated in May 2004, when Huth began to produce mailart in small editions, saving one copy of each for his files. The original issues of Film Clips, the mailart zine originally released by pdqb were retronumbered as the first numbers of qbdp, and issues from Film Clips are now released only under the qbdp imprint.
This series consists of the records of the art and literary magazine CWM co-edited with David C. Kopaska-Merkel, including announcements, correspondence, and two copies of issue # 1.
Starting at the end of 2003, much of Geof Huth's artistic output was focused on his work on weblogs. This series consists of paper and electronic copies of the various weblogs produced by Huth, one of which is a joint blog with D. Ross Priddle. This series includes blog files (archived copies of each blog), electronic files (copies of the electronic files used to created the blogs), and paper files (printouts of the weblogs).
This series consists of electronic files that cannot exist reasonably in paper form and which do not form a part of any other series.
This series includes audiotapes of sound poems, super-8 and 16mm films, and videotapes and audio media of presentations given by Geof Huth at professional conferences.