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This series comprises the bulk of Watt Espy's primary and secondary research and is therefore the largest in the collection. Initially, approximately half of these documentation of execution records were arranged in an organized fashion alphabetically by state, or by federal, military, tribal or international categories and then alphabetically by an individual's name. The others were not arranged in any discernable scheme with a significant amount of materials kept as unorganized loose documents in boxes. Espy marked some files as "not written up," but it was ultimately unclear how these differed from other records. After careful review, the archivists decided to combine all of the documentation of executions together, divided the records into five subseries for executions conducted by all 50 states and the District of Columbia, federal executions, military executions, indigenous executions, and international executions, and subsequently arranged and inter-filed all the loose materials.

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The Helen Masten papers include correspondence, memorabilia, and original artwork by Marcia Brown and others. Correspondents include: Laura Beuet; Margery Bianco; Pamela Bianco; Robert Burch; James Dougherty; Ruth Durand; Roger Du Voisin; Marie Ets; Dorothy Lathrop; Katherine Milhous; Bertha Miller; Anne Carroll Moore; Glen Rounds; Frances Clarke Sayers; and Violette Verdy.