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The series consists of two main sections: family documents and records, and biographical materials and documents of Albert (Leser) Lestoque. The family documents consist primarily of documents pertaining to the family estate known as Auf'm Rech located in the Plittersdorf section of Bonn, Germany. The records consist of land purchase records of various pieces of property primarily in Bonn, as well as records of furniture and art purchases for the property in Plittersdorf. Additional records pertaining to the property, as well as documents and materials pertaining to other family members are found in the Paul Leser Papers.
David Von Drehle Papers, 1897-2003 7.5 cubic ft.
Alexander Gode Von Aesch Papers, 1924-1987 6 cubic ft.
Writings by A. Gode von Aesch, 1924-1980 3.5 cubic ft.
Writings personally authored by A. Gode von Aesch and other personal material.
Alexander Semmler Papers, 1914-1977 10.5 cubic ft.
Symphonic Works, 1953, Undated 1.94 cubic ft.
This series consists of works written by Alexander Semmler for symphony orchestra. The Symphony No. 3, dedicated to RIAS-Berlin, is the longest of these; the title on the full orchestral score is in English, and the parts and corrections are in German, with musical notations in Italian. The other works are all in English, with musical notations in Italian.
Alfred and Eva M. Neumeyer Papers, 1932-1973 1.17 cubic ft.
Alfred C. Oppler Papers, 1908-1982 2.75 cubic ft.
Biographical Material, ca. 1908-1982 0.05 cubic ft.
This series contains materials that shed light upon Oppler's personal and professional life. Included are a photocopy of a book of poems authored by Oppler's father Leo, photographs, and photocopies of his published obituaries. Also included are a handful of materials documenting his daughter Ellen's career as an art historian.
Alfred H. Woodcock Papers, 1930-1995 7.25 cubic ft.
Correspondence, 1930-1995 3.0 cubic ft.
Types of material include letters, carbon copies, journal articles, photographs and scientific research. Correspondence arranged chronologically pertaining to Woodcock's work aboard the research vessel Atlantis, 1930-1939, and work with the Navy on the smoke screens at sea project, 1944-45. Research into atmospheric sea salts and sea salt nuclei 1947-1986; Project Shower research into warm rain in Hawaii, 1954-1957; and Hawaiian cloud physics, 1952-1965. Also included is correspondence pertaining to Woodcock's study of Hawaiian rainfall, 1967-1972; atmospheric studies at the volcano Mauna Kea, 1965-1977; permafrost at Mauna Kea, 1969-1977; "mountain breathing" at Mauna Kea, 1976-1979; and Lake Waiau, 1965-1985. Correspondence dealing with Woodcock's research into sea salt, and studies of canal fog, 1979-1986. Other topics of correspondence include: physalia, 1944-1970; soaring gulls, 1937-1938; wave riding dolphins, 1946-1953; sargassum, 1947-1949; bursting bubbles, 1976; hail, 1976; Woodcock's research into his CIA file, 1977; hurricanes, 1985; slush and ice on lakes and ponds, 1987; rain droplet formation in clouds, 1990, study of Hawaiian trade winds, 1991; Woodcock's reception of the American Meteorological Society's lifetime achievement award, 1994; and budgetary matters. Correspondents include Columbus Iselin, director of the Atlantis research project, 1930-39, atmospheric scientist and meteorologist Duncan Blanchard, 1955-1995; U.S. Navy atmospheric scientist James Hughes, 1955-1984; chemist James Lodge, 1955-1965; meteorologist and atmospheric scientist E.G. "Taffy" Bowen 1955-1965; and atmospheric researcher Erik Erikkson, 1955-1965; oceanographer Robert Duce 1965-1977; researchers Jack Warner and Sean Twomey, 1969-1977; Charles Penn, 1981-1985; Irving Friedman, 1977-1979; Charles Knight, 1989-1991; as well as Vincent Schaefer, Allen Faller and Irving Friedman. See the box and folder list for a detailed description of the contents of the containers.
Alfred Werner Papers, 1903-1979 23 cubic ft.
This series contains only a small amount of materials, but includes a short autobiographical sketch, written by Werner shortly after coming to the United States, as well as lexicon and other articles describing Werner's work as an art historian.