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This series consists of early school and career documents from Vienna, records and correspondence documenting Fried's arrival and early years in the U.S., employment searches, as well as records of his appointments to positions with the U.S. Army and the United Nations. Also included in this series are texts of radio interviews given by Fried, 1949-1975.

The John H. E. Fried Papers consist of his professional correspondence, copies of his published and unpublished writings (manuscripts, typescripts, reprints and books), texts of numerous speeches and lectures (published and unpublished), personal documents, teaching materials, as well as Fried's research collections on topics relating to global human rights problems and remedies.

This series consists primarily of correspondence and contracts dealing with Furth's employment as an Economist at the Federal Reserve Board, and as a lecturer and professor at various U.S. universities, including Lincoln University in Pennsylvania, The American University and Catholic University in Washington, D.C., and the Foreign Service Institute in Washington, D.C. Also included in this series are several curriculum vitae and short biographical statements.

Correspondence with Gottfried Haberler, Friedrich A. Hayek, Eric Voegelin, and other fellow Viennese Émigré economists, 1937–1981; typescripts of his reviews, articles, and papers, 1932–1981; lectures and course syllabi, 1942–1974; reports and reviews written for the U.S. Federal Reserve Board, 1944–1966; and offprints of articles. Furth taught economics at Catholic University and American University, wrote on central banking and international monetary relations, and was an economist for the Federal Reserve Board.

The biographical materials in this series are a mixture of items from Graf's own files as well as materials were collected by Gisela Graf after his death. Included in the series are a large number of address files, citizenship materials, biographical and autobiographical statements by Oskar Maria and Gisela Graf, two scrapbooks of clippings by other authors collected by Graf, Graf's American passport, and miscellaneous financial documents.

This series consists of copies of art and professional vitae, newspaper clippings about Geof Huth and his work, school records, records relating to readings given by and art shows displaying Huth's visual art and visual poetry, and files relating to associations Huth has been active in (including archival associations).

The majority of these papers focus on Geof Huth's artistic activities: his creation of artworks, his involvement in the fields of visual and experimental poetry, his productions as a micropublisher, and his work as an active blogger in the worldwide network of online poets. They also document his personal life and professional career in archives and records management.

This series consists of information about Vera Michelson's personal life. This series contains newspaper articles, personal correspondence, and a copy of Michelson's birth certificate.

This collection documents the lifelong activism of Albany, N.Y. resident Vera Michelson, especially her work with the Capital District Coalition Against Apartheid and Racism.

This collection consists of photographic negatives taken by the Black Studio, Inc., a commercial photography studio located in Schenectady, New York.

The collection consists of correspondence, photographs, and manuscripts which reflect Irina Aleksander's association with a number of literary notables such as Anaïs Nin, Miroslav Krlea, Marijan and Zora Matkovi, Lon Pierre-Quint, Claude Aveline, and Evgenii Zamiatin.

This series consists of correspondence, meeting minutes of the Board of Directors (1977-1985) and the Executive Committee (1971-1973, 1984), and committee files created or gathered by the executive director, chairman, president, general secretary, and committee chairs of the Association. It also contains biographical information about prospective board members gathered by the Nominating Committee (1963-1967, 1969, 1971-1972, 1974-1982, 1984). Other documents in the series include meeting agendas, memoranda, grant proposals, reports, membership statistics, and records concerning bequests and endowments made to the Association. This material concerns prison conditions, children of offenders, sentencing policies, court rulings concerning prisoners' efforts to form labor unions, construction of new correctional facilities, and the operations of the Association itself. Letters from inmates concerning living conditions in various correctional facilities, transfers from one facility to another, health issues, allegations of abuse by corrections officers, and post-release work arrangements and drug-rehabilitation programs are scattered throughout the series. One of the letters (1985) directed to Correctional Association President Robert Gangi was written by Jean Harris, who became interested in the special problems of female inmates and their children during her imprisonment for murder. Note that the files created by the Institution's Visiting Committee are housed in Series 3, Prison Visits Files, circa 1915-1985, and files created by the Narcotics Committee are housed in Series 4, Narcotics Committee Files, 1949-1975.

The Correctional Association of New York Records includes records from the Board of Directors, annual reports, prison visit files, Narcotics Committee files, program and bureau files, project files, subject files, and publications. The only records of the organization available from the nineteenth century are the annual reports, which have been microfilmed and are available in the University Library.

Contains items housed in oversized materials folder and in flat file.

The collection contains published and draft writings of Margarete Kollisch, and correspondence with Dr. Albert Einstein and other notables.

This collection contains planning documents used in the development and construction of the University at Albany, SUNY's Uptown campus.

Contains photographs taken during the construction of UAlbany's Uptown Campus. The images were taken by photographer E.M. Weil, under contract with either SUNY Albany or the SUNY Construction Fund.